The Resource This bridge called my back : writings by radical women of color, edited by Cherríe Moraga and Gloria Anzaldúa

This bridge called my back : writings by radical women of color, edited by Cherríe Moraga and Gloria Anzaldúa

Label
This bridge called my back : writings by radical women of color
Title
This bridge called my back
Title remainder
writings by radical women of color
Statement of responsibility
edited by Cherríe Moraga and Gloria Anzaldúa
Contributor
Editor
Subject
Genre
Language
eng
Cataloging source
DLC
Dewey number
810.8/09287
Illustrations
illustrations
Index
no index present
LC call number
PS509.F44
LC item number
T5 2015
Literary form
non fiction
Nature of contents
bibliography
http://library.link/vocab/relatedWorkOrContributorName
  • Moraga, Cherríe
  • Anzaldúa, Gloria
http://library.link/vocab/subjectName
  • Feminism
  • Women
  • American literature
  • Minority women
  • American literature
  • Radicalism
Target audience
adult
Label
This bridge called my back : writings by radical women of color, edited by Cherríe Moraga and Gloria Anzaldúa
Instantiates
Publication
Bibliography note
Includes bibliographical references
Carrier category
volume
Carrier category code
nc
Carrier MARC source
rdacarrier
Content category
text
Content type code
txt
Content type MARC source
rdacontent
Contents
  • Betye Saar
  • New country daughter/Lebanese American, 1981
  • Happy/L.A. Hyder
  • Aveugle voix, 1975
  • Theresa Hak Kyung Cha
  • Los desaparecidos en el cielo, 1977
  • Liliana Wilson
  • Untitled (Body tracks), 1974
  • Ana Mendieta
  • Catching fire: preface to the Fourth Edition
  • Artwork.
  • Cherríe Moraga
  • Acts of healing
  • Gloria Anzaldúa and The Gloria E. Anzaldúa Literary Trust
  • Foreword to the First Edition, 1981
  • Toni Cade Bambara
  • The bridge poem
  • Kate Rushin
  • La jornada: preface, 1981
  • Cherríe Moraga
  • Introduction, 1981
  • Omecihuatl, 1979
  • Cherríe Moraga and Gloria Anzaldúa
  • I. Children Passing in the Streets: The Roots of Our Radicalism.
  • When I was growing up
  • Nellie Wong
  • On not bein
  • Mary Hope Whitehead Lee
  • For the color of my mother
  • Cherríe Moraga
  • I am what I am
  • Rosario Morales
  • Celia Herrera Rodriguez
  • Dreams of violence
  • Naomi Littlebear Morena
  • He saw
  • Chrystos
  • II. Entering the Lives of Others: Theory in the Flesh.
  • Wonder woman
  • Genny Lim
  • La güera
  • Cherríe Moraga
  • Invisibility is an unnatural disaster: reflections of an Asian American woman
  • Mattie looks for Steven Biko, 1985
  • Mitsuye Yamada
  • It's in my blood, my face--my mother's voice, the way I sweat
  • Anita Valerio --
  • Hulleah Tsinhnahjinnie
  • Portrait of the artist as the Virgin of Guadalupe, 1978
  • Yolanda M. Lopez
  • The liberation of Aunt Jemima, 1972
  • Jo Carillo
  • Beyond the cliffs of Abiquiu
  • Jo Carillo
  • I don't understand those who have turned away from me
  • Chrystos
  • Asian Pacific women and feminism
  • Mitsuye Yamada
  • "--but I know you, American woman"
  • Judit Moschkovich
  • The Black back-ups
  • "Gee you don't seem like an Indian from the reservation"
  • Kate Rushin
  • The pathology of racism: a conversation with third world wimmin
  • Doris Davenport
  • We're all in the same boat
  • Rosario Morales
  • An open letter to Mary Daly
  • Audre Lorde
  • The master's tools will never dismantle the master's house
  • Audre Lorde
  • IV. Between the Lines: On Culture, Class, and Homophobia.
  • Barbara Cameron
  • The other heritage
  • Rosario Morales
  • The tired poem: last letter from a typical (unemployed) Black professional woman
  • Kate Rushin
  • To be continued ...
  • Kate Rushin
  • Across the kitchen table: a sister-to-sister dialogue
  • Barbara Smith and Beverly Smith
  • Lesbianism: an act of resistance
  • Cheryl Clarke
  • " ... and even Fidel can't change that!"
  • Lowriding through the women's movement
  • Barbara Noda
  • Letter to ma
  • Merle Woo
  • I come with no illusions
  • Mirtha N. Quintanales --
  • Aurora Levins Morales
  • I walk in the history of my people
  • Chrystos
  • III. And When You Leave, Take Your Pictures With You: Racism in the Women's Movement.
  • And when you leave, take your pictures with you
  • Gabrielle Daniels
  • In Search of the self as hero: confetti of voices on New Year's night, a letter to myself
  • Nellie Wong
  • Chicana's feminist literature: a re-vision through Malintzin/or Malintzin putting flesh back on the object
  • Norma Alarcón
  • Ceremony for completing a poetry reading
  • Chrystos
  • VI. El Mundo Zurdo: The Vision.
  • Give me back
  • Chrystos
  • I paid very hard for my immigrant ignorance
  • La prieta
  • Gloria Anzaldúa
  • A Black feminist statement
  • Combahee River Collective
  • The welder
  • Cherríe Moraga
  • O.K. momma, who the hell am I? an interview with Luisah Teish
  • Gloria Anzaldúa
  • Brownness
  • Andrea Canaan
  • Mirtha N. Quintanales
  • Revolution: it's not neat or pretty or quick
  • Pat Parker
  • No rock scorns me as whore
  • Chrystos
  • Appendix. Afterword:
  • On the Fourth Edition
  • Cherríe Moraga
  • Foreword to the Second Edition, 1983
  • Gloria Anzaldúa
  • Refugees of a world on fire: Foreword to the Second Edition, 1983
  • Earth-lover, survivor, musician
  • Cherríe Moraga
  • Counsels from the firing ... past, present, future: Foreword to the Third Edition, 2001
  • Gloria Anzaldúa
  • Naomi Littlebear Morena
  • V. Speaking in Tongues: The Third World Woman Writer.
  • Speaking in tongues: a letter to third world women writers
  • Gloria Anzaldúa
  • Millicent Fredericks
Dimensions
23 cm
Edition
Fourth edition.
Extent
xlvii, 286 pages
Isbn
9781438454399
Lccn
2014039109
Media category
unmediated
Media MARC source
rdamedia
Media type code
n
Other physical details
illustrations
System control number
  • (OCoLC)894128432
  • 1344497
  • (OCoLC)ocn894128432
  • 1344497
Label
This bridge called my back : writings by radical women of color, edited by Cherríe Moraga and Gloria Anzaldúa
Publication
Bibliography note
Includes bibliographical references
Carrier category
volume
Carrier category code
nc
Carrier MARC source
rdacarrier
Content category
text
Content type code
txt
Content type MARC source
rdacontent
Contents
  • Betye Saar
  • New country daughter/Lebanese American, 1981
  • Happy/L.A. Hyder
  • Aveugle voix, 1975
  • Theresa Hak Kyung Cha
  • Los desaparecidos en el cielo, 1977
  • Liliana Wilson
  • Untitled (Body tracks), 1974
  • Ana Mendieta
  • Catching fire: preface to the Fourth Edition
  • Artwork.
  • Cherríe Moraga
  • Acts of healing
  • Gloria Anzaldúa and The Gloria E. Anzaldúa Literary Trust
  • Foreword to the First Edition, 1981
  • Toni Cade Bambara
  • The bridge poem
  • Kate Rushin
  • La jornada: preface, 1981
  • Cherríe Moraga
  • Introduction, 1981
  • Omecihuatl, 1979
  • Cherríe Moraga and Gloria Anzaldúa
  • I. Children Passing in the Streets: The Roots of Our Radicalism.
  • When I was growing up
  • Nellie Wong
  • On not bein
  • Mary Hope Whitehead Lee
  • For the color of my mother
  • Cherríe Moraga
  • I am what I am
  • Rosario Morales
  • Celia Herrera Rodriguez
  • Dreams of violence
  • Naomi Littlebear Morena
  • He saw
  • Chrystos
  • II. Entering the Lives of Others: Theory in the Flesh.
  • Wonder woman
  • Genny Lim
  • La güera
  • Cherríe Moraga
  • Invisibility is an unnatural disaster: reflections of an Asian American woman
  • Mattie looks for Steven Biko, 1985
  • Mitsuye Yamada
  • It's in my blood, my face--my mother's voice, the way I sweat
  • Anita Valerio --
  • Hulleah Tsinhnahjinnie
  • Portrait of the artist as the Virgin of Guadalupe, 1978
  • Yolanda M. Lopez
  • The liberation of Aunt Jemima, 1972
  • Jo Carillo
  • Beyond the cliffs of Abiquiu
  • Jo Carillo
  • I don't understand those who have turned away from me
  • Chrystos
  • Asian Pacific women and feminism
  • Mitsuye Yamada
  • "--but I know you, American woman"
  • Judit Moschkovich
  • The Black back-ups
  • "Gee you don't seem like an Indian from the reservation"
  • Kate Rushin
  • The pathology of racism: a conversation with third world wimmin
  • Doris Davenport
  • We're all in the same boat
  • Rosario Morales
  • An open letter to Mary Daly
  • Audre Lorde
  • The master's tools will never dismantle the master's house
  • Audre Lorde
  • IV. Between the Lines: On Culture, Class, and Homophobia.
  • Barbara Cameron
  • The other heritage
  • Rosario Morales
  • The tired poem: last letter from a typical (unemployed) Black professional woman
  • Kate Rushin
  • To be continued ...
  • Kate Rushin
  • Across the kitchen table: a sister-to-sister dialogue
  • Barbara Smith and Beverly Smith
  • Lesbianism: an act of resistance
  • Cheryl Clarke
  • " ... and even Fidel can't change that!"
  • Lowriding through the women's movement
  • Barbara Noda
  • Letter to ma
  • Merle Woo
  • I come with no illusions
  • Mirtha N. Quintanales --
  • Aurora Levins Morales
  • I walk in the history of my people
  • Chrystos
  • III. And When You Leave, Take Your Pictures With You: Racism in the Women's Movement.
  • And when you leave, take your pictures with you
  • Gabrielle Daniels
  • In Search of the self as hero: confetti of voices on New Year's night, a letter to myself
  • Nellie Wong
  • Chicana's feminist literature: a re-vision through Malintzin/or Malintzin putting flesh back on the object
  • Norma Alarcón
  • Ceremony for completing a poetry reading
  • Chrystos
  • VI. El Mundo Zurdo: The Vision.
  • Give me back
  • Chrystos
  • I paid very hard for my immigrant ignorance
  • La prieta
  • Gloria Anzaldúa
  • A Black feminist statement
  • Combahee River Collective
  • The welder
  • Cherríe Moraga
  • O.K. momma, who the hell am I? an interview with Luisah Teish
  • Gloria Anzaldúa
  • Brownness
  • Andrea Canaan
  • Mirtha N. Quintanales
  • Revolution: it's not neat or pretty or quick
  • Pat Parker
  • No rock scorns me as whore
  • Chrystos
  • Appendix. Afterword:
  • On the Fourth Edition
  • Cherríe Moraga
  • Foreword to the Second Edition, 1983
  • Gloria Anzaldúa
  • Refugees of a world on fire: Foreword to the Second Edition, 1983
  • Earth-lover, survivor, musician
  • Cherríe Moraga
  • Counsels from the firing ... past, present, future: Foreword to the Third Edition, 2001
  • Gloria Anzaldúa
  • Naomi Littlebear Morena
  • V. Speaking in Tongues: The Third World Woman Writer.
  • Speaking in tongues: a letter to third world women writers
  • Gloria Anzaldúa
  • Millicent Fredericks
Dimensions
23 cm
Edition
Fourth edition.
Extent
xlvii, 286 pages
Isbn
9781438454399
Lccn
2014039109
Media category
unmediated
Media MARC source
rdamedia
Media type code
n
Other physical details
illustrations
System control number
  • (OCoLC)894128432
  • 1344497
  • (OCoLC)ocn894128432
  • 1344497

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